Monday, September 17, 2007

Portrait of the road
By Truckers News Staff


Kim Reierson
Behind the camera, photographer Kim Reierson is fearless. Whether she’s crossing the powdery-white mountains of Wyoming or stopping for three cups of coffee in a truckstop, Reierson can extract years from moments, snapping photos of ordinary people whose faces tell the story of life on the road.

For her new book, Eighteen: A Look at the Culture That Moves Us, Reierson spent five years taking pictures of people and places that represent American truck driving. Her obsession with truck driving didn’t take root until after Sept. 11, when she drove from New York City to Santa Barbara, Calif., to meet her mom. During that trip and for the next five years, she hung out in truckstops and interviewed drivers, asking to take their portraits and see the cabs of their trucks. The resulting images are candid, poignant photos of exhausted drivers asleep in their cab beds, brash young truckers with huge belt buckles and cowboy hats, trucker families at home and on the road, and more.

“These men and women are who make this country run,” Reierson says. “I wanted to show that in an honest yet elegant way.”

A California girl transplanted to Bolivia to live with her mother’s family, and then back to California and finally to Brooklyn, N.Y., in 2000, Reierson is an artist with a heart for the American working class.

“I had always been into cars,” Reierson says, “but it dawned on me that my dad was a trucker. Subconsciously, I think I had been trying to tap into that.”

Reierson’s father spent most of his time on the road. She never knew him very well, and after her parents divorced when she was in college, she stopped speaking to him. He never knew she was working on the book.

“I guess I’m waiting for the right moment to send him a copy,” Reierson says. “I want to see the public reaction first.”

Reierson took Eighteen to the Mid-America Trucking Show in Louisville, Ky., in March. The reaction from the New York City art community had been encouraging, but Reierson wanted to see what truck drivers thought about her photos.

“Their reaction seemed to be, ‘Wow, for the first time I’m seeing a book that shows exactly what it’s like for us,’” Reierson says. “They were impressed that someone was showing the way it really is.”

For two weeks, Reierson rode with truck driver Tim Young and recounted her experience in the only essay in the book, “Two Weeks With Tim.” After meeting Young in a truckstop and talking with him for an hour and a half, the photographer packed her bags and headed out on the road. After crossing 20 states together, the pair ended their trip at his family’s home in Alabama to say good-bye.

Reierson writes, “We said our good-byes the morning I left. … The way I felt reminded me of the lyrics of a Brad Paisley/Dolly Parton duet: ‘Yeah, when I get where I’m going, there’ll be only happy tears. I will shed the sins and struggles I’ve carried all these years.’”

Eighteen is part homage to the American trucker, part human-interest story and part personal memoir of Reierson’s travels on the road.

Her photos are stunning flashes of color, emotion and light. Real faces sit behind steering wheels with pets, children and coffee. Trucks roll along a highway white from a fresh blizzard and idle next to a wall splattered with graffiti. A large section of the book is devoted to portraits of American truck drivers, each different but all with the tired eyes of hard workers. One trucker sits in the driver’s seat wearing a baseball cap, looking into the face of his young child.

Reierson’s devotion to her project shows in not only the photos, but in her commitment to studying trucking for as long as it took to immerse herself in the culture that moves America.

“There are so many surprise nuggets you can find on the road,” she says. “There is something very special about crossing the United States like this.”

Once upon a time, truck drivers knew each other, Reierson says. Waitresses recognized truckers and had their meals ready when they walked in the door.

The most surprising thing Reierson learned, in spite of the immense size of the industry, is that truckers are still like family.

“They look out for each other,” she says. “They have the attitude that ‘the rest of America may not know who we are, but we know who we are and we are going to take care of each other.’”

Check out photos from Eighteen: A Look at the Culture That Moves Us at the Robin Rice Gallery Exhibition at www.robinricegallery.com.
--Rachel Telehany

Where to purchase Eighteen: A Look at the Culture That Moves Us: Kim Reierson’s website.

The Chrome Shop Mafia, LLC.
4538 Highway 43
Joplin, MO 64804
(417) 627-0004

Elizabeth Truck Center
878 North Avenue
Elizabeth, NJ 07201
(908) 355-8800

Source.

No comments: